The Alabaster Sock

We Will Fight the Threat with Fighting

The Legendary Hero is No More

Posted by Matt on August 23, 2011

Dear Mr. Morrison (or Grant, if you prefer),

I was a late bloomer, if you will, when it came to comics. I didn’t grow up with the modern mythos, the adventures of Marvel and DC’s line-up with costumed crime-fighters, like you and so many other people did. What I knew about them was gleaned from the licensed products: the television shows, the toys, and everything else. I didn’t know about all the things, great things, those comics contained.

I was given a huge load of comics in high school. Quite the variety, really. Classic Lee/Romita Spider-Man, Watchmen, Claremont/Byrne X-Men, Gaiman’s Sandman, at least one example of Kyle Baker…works both classic and modern. But none, none, affected me quite as much as your with Richard Case (and numerous other great artists!) on Doom Patrol.

When I first picked up Doom Patrol, I was taken in by the weirdness of the characters, the Scissormen, the Brotherhood of Dada, Danny the Street, et al. What delightful fun, I thought. My appreciation of your work only grew the more I read; it opened my imagination to all the possibilities comics had, the limitless number of images, the infusion of Burroughs, the rebellion against a world determined homogenize everything, and the way it can make you connect with its characters. Your characters were people I cared about, people whose adventures I wanted to read about. All of these things culminated in your last issue in that series, which is one the most sad, beautiful things I have ever read.

Doom Patrol, more than any other, has come to be my personal high-water mark for comics. It is the thing that inspires me the most. Part of my motivation for attempting a career as a writer is to give other people the kind of joy you gave me in those comics, and all the subsequent series of yours that I’ve read. I just want to thank you for that.

With that, I come to my main reason for writing this: I think we’re finished as artist and audience.

I haven’t read any of your recent Batman work (although I have read Arkham Asylum and Batman: Gothic, both of which I enjoyed), or Final Crisis for that matter; I’m simply not interested. I could gather in your early work that you really do love DC Comics and it’s characters; they seem to be as near and dear to you as your comics have been to me. You’ve probably dreamed for years of becoming the architect of some of the world’s best known fictional characters. I do not begrudge you for this; I simply skip that part of your output that does not interest me, and wait for the next Seaguy.

No, that’s not my problem. What my problem happens to be is the side of you that these last few years have brought out in you. This is has been especially troubling in the last few months, as you have been interviewed about your autobiography (which I have not yet read, and with all that has gone on, may never read now). To be honest, in a lot of these interviews, you’re come off as full of shit.

Let’s take your recent Rolling Stone interview, for example. Specifically, your controversial statement about Chris Ware. Now, I’m not a Ware reader (not out of indifference or antipathy, I just haven’t gotten around to it yet), and to be fair, I think you sort of have a point. I think the critical corners in the comics world have spent far too much time setting up the world as the superhero crowd-pleasers at Marvel/DC with versus the lonely white boy stories told by Ware and others, as if those are our only two choices. They’re not, and the sooner we exit that dichotomy, the better off we’ll be.

No, where I have a problem is your calling them out on being “privileged American college kids”, and that this comes from your “Scottish working class” background. Maybe that would actually have been true when you were writing Zenith, or Doom Patrol, or The Invisibles, or maybe even New X-Men. But not now. Not when you own a house in Hollywood, get preferential treatment from a large corporation to keep their multimillion dollar trademarks in circulation, and get paid god knows how much to write movies about aliens fighting dinosaurs. You have no fucking right to criticize anyone else for being “privileged”.

Then there’s your statements about Siegel & Shuster in your book. You know, the guys who created the character you seem to think is so important, and are going to be writing about starting next month. You apparently don’t think their side of the story is very important, and that the half-century struggle for proper recognition and compensation for creating one of the best known fictional characters of the 20th and 21st centuries is trivial. Despite your attempts to convince everyone that superheroes are the modern mythology, you can’t make us overlook that Superman, Batman, and the rest were created by very specific people, and are now the property of another group of people who see them simply as a brand for them to sell. You can’t make them go away. The creator rights battle is a major part of the history of the so-called supergods, and I think people are beginning to realize that they may be the most important part.

You know, I don’t like to armchair analyze other people’s motivations, I really don’t, but all these things: the dismissal of people like Ware who aren’t big fans of superheroes, the dismissal of critical circles like The Comics Journal, the dismissal of the creators of the characters you write for, the dismissal of Alan Moore because he realized what a raw deal the superhero industry is and makes sure everyone knows it…it really sounds like your are trying to protect yourself from all the people that make you feel guilty for wanting so bad to be where you are today, the guy who gets to direct a superhero universe (under the auspices of the money men at Warner Bros). You probably need to make sure Alan Moore and all those other voices never get to you, because if they ever do, you’ll realize that, not long ago, you were one of them. Fighting corporate tyranny and it’s sadistic enslavement of imagination. You were once the solution to the problem. Now, you’re the problem’s willing servant.

But again, good for you for getting to live out your dream. I hope you enjoy it. I know I will continue to read and enjoy Doom Patrol, Animal Man, We3, The Filth, and all the rest. But I just don’t think I can take anything you write from now on seriously. Not like I used to. You’ve been compromised by the allure of the corporate superhero.

Thank you so much for all you’ve given me.

Now take your Batman comics and go to hell, old man.

Additional reading:

Dan Nadel at The Comics Journal
David Brothers at 4thletter!
Abhay on the Siegel & Shuster Thing
Comics Commentary

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